NEW WORK

2022-2023

Tapestry for Temple of Spiraling, 2023, ink, acrylic, embroidery and applique on hand-marbled silk and dropcloth, 43.5 x 84 in.

Altar for multiplying the quadrants needed to burn up the I, 2022, ink and acrylic on stitched hand-marbled vellum, wood, grommets, copper cut tacks, 32 x 38 x 6 in.

Chloris in Ritual Rebrand_p.1, 2022, ink on bristol board, 9 x 12 in.

Chloris in Ritual Rebrand_p.2, 2022, ink on bristol board, 9 x 12 in.

Chloris in Ritual Rebrand_p.3, 2022, ink on bristol board, 9 x 12 in.

Chloris in Ritual Rebrand_p.4, 2022, ink on bristol board, 9 x 12 in.

Chloris in Ritual Rebrand_p.5, 2022, ink on bristol board, 9 x 12 in.

Chloris in Ritual Rebrand_p.6, 2022, ink on bristol board, 9 x 12 in.

Chloris in Ritual Rebrand_p.7, 2022, ink on bristol board, 9 x 12 in.

Chloris in Ritual Rebrand_p.8, 2022, ink on bristol board, 9 x 12 in.

2020-2021

Altar for splitting, 2020. Ink on paper that’s been hand-pressed with marbling tray dregs, wood, bones, 28 x 23 x 3 in. — Altar for splitting, 2020. Ink on paper that’s been hand-pressed with marbling tray dregs, wood, bones, 28 x 23 x 3 in.

Altar for getting slammed so hard by a wave, 2021. Ink and beaded embroidery on hand-marbled vellum, wood, grommets, 25.5 x 32 x 3 in. — Altar for getting slammed so hard by a wave, 2021. Ink and beaded embroidery on hand-marbled vellum, wood, grommets,
25.5 x 32 x 3 in.

Vision for altar for getting slammed so hard by a wave, 2021. Graphite on paper, 9 x 12 in. — Vision for altar for getting slammed so hard by a wave, 2021. Graphite on paper, 9 x 12 in.

Drip dry cry, 2020. Acrylic on hand-marbled silk, 18 x 24 in. — Drip dry cry, 2020. Acrylic on hand-marbled silk, 18 x 24 in.

That feeling when the devil is a gridded goat and you can’t stop riding them and then your spirit leaves your body, 2020. Acrylic on hand-marbled silk, 18 x 24 in. — That feeling when the devil is a gridded goat and you can’t stop riding them and then your spirit leaves your body, 2020. Acrylic on hand-marbled silk, 18 x 24 in.

Altar for levitating, 2020. Ink and beaded embroidery on paper that’s been hand-pressed with marbling tray dregs, wood, 22 x 24 x 3 in. — Altar for levitating, 2020. Ink and beaded embroidery on paper that’s been hand-pressed with marbling tray dregs, wood, 22 x 24 x 3 in.

Enumerate the hauntings, 2020. Performance, video, and installation at Visual Art Gallery, University of Illinois Springfield, Springfield, IL (ceramic Pleasure Pot by April Martin, all other objects made or found by me) — Enumerate the hauntings, 2020. Performance, video, and installation at Visual Art Gallery, University of Illinois Springfield, Springfield, IL (ceramic Pleasure Pot by April Martin, all other objects made or found by me)

Enumerate the hauntings performance documentation

Enumerate the hauntings video backdrop featuring: POV footage of dead squid in Provincetown Bay, found images of roses and graphs, footage of a backyard fire during Heaven’s Tripod band practice, found sound of Lindsey Graham’s voice, the All Thing’s Considered theme song from NPR News, and “Sex & Candy” by Marcy Playground.